I wrote recently about my grandfather’s brother, Sam Silver.  Sam was a handsome man who served in the Spanish-American War and disappeared, both from our family history and from the census and other written documents until reappearing in the 1920 census in Colorado.

During my recent trip to Washington, D.C. I was able to visit the National Archives and have a look at Sam’s pension file.

Sam moved to Los Angeles in early 1925 and died there on December 12, 1925. Shortly before his death he applied for a pension based on his military service.  His wife, Gertrude continued the application after Sam’s death.  There were bureaucratic problems as Sam was enlisted under the name of Silverin and applied for a pension as Silverin, but all of the other documents in his life correctly list him as Sam Silver.

I have many more bits and pieces of Sam and Gertrude’s story, but for now I think it is best to let Gertrude speak for herself.  Here is Gertrude’s affidavit written for the Pension Office of the Veteran’s Administration and received by them on October 25, 1930. I have corrected grammar and sentence structure for ease of reading.  A scan of the original document is on the right..  A fold in the paper obscures one line and I have filled it in as I remember it.

 

” I Gertrude Silverin, age 41 years old.  I am the wife of the late Samuel Silverin or as everybody called us, Mr. and Mrs. Sam L Silver for short. [Sam] passed away Dec. 12, 1925 at the Kasper Kohn Hospital.

In October 1903 Samuel Silverin and I ran away from my home which was in New Orleans and came to San Francisco .  We went to a Jewish rabbi whose name I do not remember now and we went through what I though was a legal Jewish marriage.  The rabbi gave me a Jewish certificate.  At the time of my marriage I was 14 years old.  During the great fire of San Francisco in 1906 we, like countless others, lost everything including my Jewish certificate.  We the moved to Denver Colorado and never thought of the certificate anymore until our children arrived.  Then Mr. Silverin tried for a number of years to locate the rabbi that married us but was unable to find any trace of him.  Then Mr. Silverin tried to find out if our marriage was ever recorded, but to my sorrow it never had.  But as the children were getting older Mr. Silverin and I decided to go through a civil marriage which we did at Golden, Colo on Aug. 27, 1919.  Of our union 4 children were born, 3 died and only one son, Joseph, 19 years old living and is self-supporting to the best of my knowledge.  My Samuel Silverin was never married to anyone before he married me.  My maiden name was Gertrude F Eliach.  I was never married to anyone before or since I married Mr. Silverin or as we were always called Mr. and Mrs. Sam L Silver.  I have tried to get affidavits from  parties that knew Mr. Silverin from the time he became of marriageable age [but both his parents are dead and Alex Silver his] brother died 3 years ago.  The soldiers name is Samuel Silverin.”

 

A few things stand out for me.  Both Sam’s mother and his brother were very much alive in 1925.  Was there a family rift or was it simpler to say that everyone who knew Sam was dead?  Sam’s brother, Alex, and his family were living in New Orleans at the time that Sam and Gertrude eloped.  There must be a connection that brought both the brothers to New Orleans, but I don’t know who got there first or why.

Whatever the complete story is, and I am certainly still trying to track it down, this much appears to be true.  Gertrude Eliach ran away with Sam Silver to a place over 2000 miles away.  They remained together for 22 years until Sam died and left her a widow at the age of 36.

Pat and I are preparing to go to Washington, DC for the International Association of Jewish genealogists (IAJGS) meeting.  We’re leaving on the 13th and we are happily looking forward to great talks, meeting new friends and seeing some family.  I should be making lists, spiffing up my database and deciding what sessions I wish to attend on Sunday, but instead I find myself looking backwards, lost in memories of my Jewish childhood.  Since the next Carnival of Genealogy topic is about places of worship I will post this now, perhaps as the first entry.

When I was a girl my family was moderately religious.  My parents attended synagogue every Friday night and often on Saturdays.  My brother and I and many of our friends walked from public school to religious school two afternoons a week and our teachers tried with varying degrees of success to teach us something about many subjects,

What I remember most is Yom Kippor, the Jewish Day of Atonement.  On this day adults would fast from sundown to sundown.  People came and went from the synagogue all day, but everyone would be there for the reading of the Torah, for the recitation of the Kaddish, the prayer said in remembrance of the dead, and for the end of the day and the end of the fast marked by the blowing of the Shofar.  The Shofar is a ram’s horn, difficult to coax sound out of, especially after a day of fasting.   It makes an eerie sound in a silent room.  You can click here to hear the sound.  The silence is followed by joy and cries of “shanah tovah” (have a good year or happy new year) and hugs and kisses.  We would all walk home together feeling at peace and taking pleasure in each others company.

As I grew older I became less and less involved in things religious.  I married a man who is not Jewish and whose family didn’t follow a religious tradition.

As the years passed I would occasionally go to services with my mother or go to family Bar Mitzvahs and weddings, but generally speaking, I was rarely found in synagogue.  When she was 90 my mother moved to an assisted living facility here in Connecticut.  She joined a synagogue and with transportation provided she regularly attended services without my help.  She remained mentally alert, but grew increasingly frail and finally the day came when she could not attend services without my assistance, and so I found myself in synagogue on Yom Kippor for the first time in years.

The service wound on and finally we came to the recitation of the Kaddish.  Although the words of the Kaddish sanctify the name of God and do not speak of mourning it is known as the Mourner’s Prayer.  At weekly Sabbath services only those who have lost a loved on that week or those who are recognizing the memorial of a death that occurred in that week recite it, but on Yom Kippor everyone recites the Mourner’s Prayer.  It is traditional in many synagogues for those who still have two parents living to leave the sanctuary before the Mourner’s prayer.  In every synagogue I have ever attended before the Kaddish is recited the Rabbi explains that leaving is not law, that it is in fact rooted in superstition, and that we will be remembering the six million who died in the Holocaust.  They implore everyone of all ages, parents living or not to remain, and every year large numbers of those whose parents are still alive leave.  Even a rabbi can’t fight tradition.

It had been years since my father’s death and I probably had been to Yom Kippor services in some of those years, but somehow, lost in childhood memories, when the Kaddish was announced I stood to leave.  I was halfway out of my chair before I was hit hard by the realization that my father was gone.  I sat down, overwhelmed with emotion.  I watched young people leave the room and then I rose again to recite Kaddish with my mother.  As I stood,  a group of older people moved to the front of the room. It is a tradition in this synagogue to have survivors of the death camps lead the congregation in the recitation of the Kaddish.  We all join them in remembering those who have no family to remember them.  The survivors are growing old and there are fewer of them each year, but what I saw that year was a dozen healthy, vital older people walking solemnly down the aisles of the synagogue.  Your heart would have to be made of stone not to be moved by this.  I was reduced to tears, the survivors of course remembered and moved on, back to the good lives they had struggled to build, sharing the day with their families.

Eventually the shofar was blown and my mother and I said, “shanah tovah”, and returned to my home for a traditional light meal.  I have been to Yom Kippor services sporadically in the years since that day.  My mother is gone now too, but that one year remains large in my memory.  I am sure it always will.

 

Credit for the shofar picture here

 

 

Kerry Scott at Clue Wagon asked, “What is the one thing you would grab if your house was on fire?”

The question assumes that loved ones (I include pets here) are safe.

My guess is that I would approach this problem the way I approach my genealogy research.  I have to save the photos, no wait there’s the computer, oh, the kids baby bracelets, Just a minute, I’m almost ready….until being dragged from the house by a worried and more focused spouse.

The real question here then is “What objects are most meaningful in your life?”

I have a vase that sits in my living room.  My mother remembers her father bringing the vase home when she was a little girl.  My mother was born in 1910.  That puts the date when the vase enters our life at  1918 or 1920.   For as long as I can remember it sat on a sideboard in my mother’s house.  It came to live with me when my mother moved to assisted living here in Connecticut. A few years ago Antique Roadshow came to Hartford, Ct and I took my vase.  The expert told me it was a post-war piece made in Japan for the export market. I assume he meant WWI.  There were a lot of exports to this country around 1920, so maybe my vase was one of them.  He valued it at $350. It is priceless to me.

 

It is a simple inanimate object.  Many would not consider it beautiful.  Certainly, most would consider it silent, but it speaks volumes to me.

My grandfather worked as a leather cutter in a factory that made ladies’ handbags. He was not a sentimental man and there was little money for useless extras.  Yet he saw the vase in a pawnshop and he needed it. He needed it in the way we all sometimes need something beautiful that we cannot afford and have no earthly use for, but that continues to yell at us, “Buy me!”  We are fools if we do not listen.

I have been in homes of people who live in soul crushing poverty, both in this country and others and I have never seen a home without at least one object that is there just because it is beautiful.  It might just be a picture ripped from a magazine, but it is essential to that house.  I am always amazed when we are involved in a local or national conversation about what is necessary for our children’s education.  Art is always high on the hit list, yet it is art in all its forms that fully expresses our humanity.

I don’t know what that vase said to my grandfather. I know it meant the world to my mother.  To me it says, “You are connected through time to people who understood beauty and knew its meaning even when times were difficult and a secure future was hard to envision.”

Sam Silver

Sam Silver was my grandfather’s brother, my great-uncle. Unless he is the oldest man in the world, in which case he probably would have been in the newspapers and I would know where he is, he is long deceased by now.  I’m fairly certain that he is buried in either Colorado or California, more about that later.

Why am I looking for Sam?  Yes, there’s the usual stuff about finding the relatives, especially the close ones, but that’s not really it.  Sam fascinates me because he seems to have been absolutely different from the rest of my family.

Look at this picture. 

He is so dapper, so debonaire, so Fred Astaire. No one in my sober, nose-to-the grindstone family ever looked like this.  Honestly, how could any family lose track of this man?

When Sam was a young man my father remembers a visit to my grandparents home in Philadelphia.  Sam and his wife Gertie were stopping by on their way to Colorado.  Here’s another thing my family didn’t do–move.  They made the long journey from Russia, got off the boat and rooted themselves firmly in New York, New Jersey, and Pennsylvania. My grandparents did move around a bit, but they had the good sense to come back and nest among family.  Not Sam.  Sam was on his way to Colorado.

My father told me that Uncle Sam went to Colorado to be a cowboy.  If you’ve read any of my blogs about my family you will know that we are completely urban people.  When I moved eight miles outside of New Haven, a city of 100,000, my mother declared that I was living in the middle of nowhere.  There were no cowboys in our family.

As it turns out Sam wasn’t a cowboy either. The 1920 census finds the family living in Denver.  Sam was the owner of a soft drink parlor. He and Gertie had two children, Joseph and Lillian. What I can’t figure out is if my father was having a joke with me when he told me the cowboy story or if his Uncle Sam had the joke on my Dad, who was 8 or 9 at the time of the visit.

I have no other census information for Sam, not 1900, when he was about 20 years old, not 1910, about the time he got married.  In 1900 my grandfather and his wife and one year old daughter were living with Sam’s parents. Where was Sam?  He may have been in the army.  This is another thing my family didn’t do.  After a narrow escape from 25 years in the Russian army military life was not so appealing. Family lore says Sam fought in the Spanish-American War.  It is virtually impossible for me to picture one of my very urban family, the man who owned the soft drink parlor, charging up San Juan Hill with Teddy Roosevelt.  There is, however, a picture of Sam in uniform.  The picture was taken in Chattanooga.  I don’t have any details about his service.

So, I guess that Sam came home from the army, got married and struck out for the west.  That same 1920 census says that Sam’s wife and daughter were born in Louisiana.  Did they go there before Colorado, after Colorado? I don’t know.

Here is another photo of Sam.  A tourist photo from Arkansas.

I know that Sam and Gertie’s daughter, Lillian, died in Denver at the age of 11.  I don’t know what became of their son Joseph. If he is alive he would be 99 by now. My mother said that Sam retired to California.  Perhaps his son was living there.

In the final analysis I think Sam and his family in Colorado were not really lost to my East Coast family.  I don’t remember letters or phone calls, but I was probably young when Sam died and not interested in letters from people I didn’t know.  Visits were too expensive for families with little money, so I think no one on my side of the family saw him after he moved to Colorado. I expect there are grandchildren around my age.  I would love to find them and learn  what they know about Uncle Sam, the cowboy.

 

I have two pictures of my great-grandparents, Mendel and Lena Silverman with my grandfather and his brother dressed in Russian Cossack outfits.

These are not two different pictures; they are the same picture pasted on different card stock from different studios.

Here is the photo I showed in The Silvermans Come to America.

 

 

 

 

 

 

 

 

 

 

 

 

Decreasing the quality of the image shows that this photo was taken by George H Rosenblatt, 202 Broadway, New York.

 

Here is the second copy.

 

 

 

 

 

 

 

 

 

 

 

 

 

The back of this photo is in Russian.  A friend translated it for me.                                                                                                                                                                                                                                              

 

 

 

 

 

 

 

 

 

It says photograpgic studio of Josef Wasilewski, Stavropol, Kavkaz.  Stavropol is the city where my great-grandparents lived.  Kavkaz is the area like a state or province.  Tiny letters at the bottom of the back of the photo say Trapp and Munch.Wien

 

 

I have figured this much of the mystery out .  Trapp and Munch were the papermakers, located in Vienna.

This photo was taken at about the time the family emigrated, so it is possible that it was taken in either country, although I do find it hard to believe that they brought the Cossack outfits with them.

There is one more interesting bit. At the bottom of the front side of the photo with the Russian studio information in very small red letters it says  J.Wasilewski–in English.

 

Why would a Russian photographer have his name in English on the front of a photo?

So, I am left with a mystery.  Where was this picture taken?

Any ideas?

 

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